Is there really a magic formula for a perfect plot? Today I am going back to the Mystery Writer's Handbook edited by Herbert Brean (published in 1956) to take a closer look at the chapter from Lester Dent written in 1936. Mr. Dent, if you are reading this blog, I apologize in advance for the liberties I am taking in condensing your article. Those of you who would prefer to read the original may find it here:
http://www.biblio.com/details.php?dcx=74056597&aid=frg
Bear in mind that this is a guide for mystery writers; literary fiction can cool down the heat a bit.
First, divide your book into four sections.
Section #1
In the first line (or as soon as possible) introduce the hero, get him in trouble, hint at a mystery and begin the menace. Next, get the hero in action, as he tries to cope with the trouble, fathom the mystery, solve problem or defeat menace. All characters are stirred into the mix. The hero's actions land him into conflict with antagonist. End section with a surprise plot twist.
Section #2 and #3
(same structure, just ratchet up the intensity)
Give the hero more trouble, then allow him to make some headway in the conflict with antagonist. End with a plot twist that results in the hero getting smacked down hard.
Section #4
Even more trouble! The hero is in absolute despair of achieving goal. Then, he manages to save himself by his own skills and wit. The remaining mysteries are cleared up. Give the reader one last plot twist for the road and a perfect line to end it.
Okay, I admit my synopsis sounds a bit humorous. But honestly, haven't you read lots of books that follow this outline fairly closely?
1 comment:
I like to see the protagonist's problem get personal in part #4! I see it all the time in mysteries. Dedication gets ratched up a notch when your dear Aunt Sadie is tied up in the warehouse!
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